When it was announced in Hot Press that a new incarnation of De Dannan was about to hit the road, it came as a surprise to one of the group's founders, Alec Finn. Here, he talks about why he objects to the use of the name by his former musical partner, Frankie Gavin.
Japanese tin whistlers, Harlem Gospel singers, Indian mandolin players . . . De Dannan have traded scales and tales with them all. Dermot Stokes catches up with Frankie Gavin and Alec Finn and is entranced as the Michael Palins of pan-cultural playing share excerpts from their ongoing odyssey.
Frankie Gavin and Alec Finn have been around the block more than a couple of times now, and they've seduced a rake of unlikely apostles with their high octane mix of the old and the new. The release of last year's best of, How The West Was Won, was a magnificent resume of their antics from then to now.
Or should that be Black pages? Mary Black and her long-time friend, producer and collaborator Declan Sinnott look back over ten years of solo work, and the steady progress which finds her ready to take on the world with her latest album, The Holy Ground. Interview: Joe Jackson.
Or should that be Black pages? Mary Black and her long-time friend, producer and collaborator Declan Sinnott look back over ten years of solo work, and the steady progress which finds her ready to take on the world with her latest album, The Holy Ground. Interview: Joe Jackson.
Master craftsmen with nothing to prove, they’re not above turning their capable hands to session chestnuts like ‘The Mountain Road’, but there are some fascinating rarities here, too – notably a beautiful air composed by Shetland fiddler Willie Hunter.
A major row is brewing about the use of the name De Dannan – recently announced for a date at the World Fleadh. Alec Finn, one of the founder members of the group, has broken his silence to Hot Press, insisting that he is the registered owner of the name – and therefore that it cannot be used without his agreement.
The Crossing may well be Tim O'Brien's finest moment to date. Always possessed of a fine voice and an inventive writing style, he is not afraid to expand the boundaries of the folk/bluegrass/old-time music he explores. Add to that the obvious Irish/Celtic elements introduced here and you have an album that genuinely has a foot in both traditions, while at times transcending both.
One of the most influential trad bands of the past quarter century, De Dannan have set out on the comeback trail - and they’re kicking their resurrection off with a comeback show to remember.
De Danann, outmoded by the Celts. Supplanted by the Iron Age. So they retreated into the hills and mastered their magical powers. The true traditionalists who still had the suss on the newcomers, and for all their old-fashioned ways were able to out-manoeuvre the modernistic and industrialised Celts. More traditional and yet more advanced.
Following the demise of the Music Board last year, hopes are high that the incoming Culture Ireland committe will herald a new era in state support for traditional music. Plus the usual round-up of trad and folk news from around the country.
Or should that be Black pages? Mary Black and her long-time friend, producer and collaborator Declan Sinnott look back over ten years of solo work, and the steady progress which finds her ready to take on the world with her latest album. The Holy Ground. Interview: Joe Jackson
By now one of the most esteemed events on the Irish cultural calendar, the Galway Arts Festival 2003 will once again bring you the best in contemporary theatre, literature, comedy and music
81,394 punters, the majority decked in the blue and navy of Dublin, made the pilgrimage to the GAA Mecca of Croke Park for the Leinster Senior Football Final. Lifelong Blues supporter John Walshe was one of them.
Danu may just be the hardest working band in trad. With their fourth album The Road Less Travelled only recently released and another promised for the spring, When Jackie Hayden put a number of key issues to the band’s accordionist Benny McCarthy and bodhran player and uilleann piper Donnchadh Hough he found that they don’t just work hard, they talk hard too.
Frankie Gavin, Máirtín O’Connor and Mary McPartlan are just some of the performers set to appear at the Aula Maxima in NUI Galway this Thursday as part of special night of traditional music, storytelling and dance.
The Waterboys, Patrick Bergin, Frankie Gavin and Brendan O’Regan are just a handful of the trad and folk-y greats on a new fundraising album that’ll benefit the Aran Islands Lifeboat.
There’s no argument. The Rolling Stones new record Voodoo Lounge finds the greatest rock’n’roll band in the world of yore back in fighting trim, stomping out that distinctive blend of musical mayhem we know and love in positively swaggering style – good enough, some would say, to see off any contenders to their coveted throne. At the centre of this triumphant return to form is one Michael Philip Jagger, who sounds lean, mean, hungry and ready for the fray. Here he raps with Don Was – producer of Bob Dylan, Willie Nelson, Was Not Was, Bonnie Raitt and of course The Rolling Stones – about the primeval power of music and how to keep on doing it even at the grand old age of twenty (Sorry! I’ll read that again) . . .
Hot Press' answer to Russell Grant, Jackie Hayden, slips into his chunky-knit jumper, gazes at his crystal ball and comes up with more predictions that probably won't come true. Like last year.
MARTIN HAYES fiddles while dennis cahill burns on The Lonesome Touch, an exercise in purity that is not exclusive to the purists. Joining them on the road, siobhan long learns the finer points of a good reel, and discovers that in Irish traditional music there s no place for conflict between continuity and change.
U2, Elvis Costello, The Pogues, The Waterboys, Emmylou Harris, Hothouse Flowers, The Everly Brothers, Christy Moore just some of the dozens of artists who contribute to an adventurous new five part TV series which traces the extraordinary return journey that Irish traditional music has made to America and beyond. Here, Liam Fay previews the programmes, talks to Philip King who originated and nurtured the project and hears many of the participants explain how they discovered the importance and influence of Irish music.
OUT FROM BEHIND THE GREASE-PAINT THAT ADORNS HIS FACE ON THE COVER OF ‘SPIKE’, ELVIS COSTELLO EMERGES TO TALK ABOUT THE MUSIC THAT RUNS IN HIS FAMILY FROM BIG-BAND TO SPEED-METAL, HIS MUCH-TOUTED IRISH CONNECTION, WORKING WITH PAUL McCARTNEY, HIS CONTEMPT FOR MUCH OF TODAY’S POP MUSIC AND THE FEELINGS THAT INSPIRED HIS DEATH-WISH FOR MARGARET THATCHER.
MIKE SCOTT once fronted the greatest rock n roll band in the world, but before the world got a chance to wake up to the fact he had gone west and invented raggle taggle. Now with a new Waterboys album, A Rock In The Weary Place, just released, Scott takes time out to reflect on his strange but true adventure. By PETER MURPHY
